Over the past decade, Netflix has experienced a change in the type of patent litigation it faces. It was predominantly litigated by Non-Practicing Entities (NPEs), but recently, there has been a rise in lawsuits from operating companies. This shift in litigation dynamics reflects the changing challenges that Netflix must address as it expands its technological and market footprint.
As these trends unfold, it’s crucial to examine how Netflix positions itself in response to these legal pressures, particularly in areas such as video coding technology.
Before these insights become widely recognized, our analysis of Netflix’s recent patent activities provides a comprehensive look at the company’s strategic interests and potential impacts on the broader market. This analysis draws on a detailed review of Netflix’s litigation trends, patent portfolio growth, and technology focus areas.
While this article is based on Netflix’s Patent Activity as of August 2024, subscribe to our newsletter for the latest updates on the patent strategies driving Netflix’s next big moves.
Netflix’s Litigation Trends
A Shift from NPEs to Operating Companies
An in-depth analysis of the past decade’s litigation data reveals a 50% decline in Non-Practicing Entity (NPE) activity against Netflix over the past five years, while litigations from operating companies have surged by 150% during the same period.
Historically, Netflix has been predominantly targeted by NPEs, with 86.2% of all litigation initiated by these entities in the last decade.
Over the past ten years, Netflix has faced 44 lawsuits from NPEs, compared to just 7 cases filed by operating companies. Notable companies filing patent infringement lawsuits against Netflix include Broadcom Corp., Gotv Streaming LLC, CA Inc., OpenTV Inc., and Avago Technologies.
From 2014 to 2019, Netflix was involved in 29 NPE lawsuits and only 2 lawsuits from operating companies. However, the trend has shifted significantly over the last five years (2019-2024), with a reduction to 15 NPE-related cases and a notable increase in operating company litigation, rising to 5 cases.
This marked shift suggests that while NPE threats are declining, Netflix is facing increasing scrutiny and legal challenges from operating companies, signaling a potential need for Netflix to reevaluate its IP defense strategies.
Patent Litigations of Netflix
Netflix Boukdering its Vulnerability in the Video Coding Technology
Netflix recently faced a significant legal setback when a German court found the streaming giant infringing on Broadcom’s video coding patent, which is crucial for streaming Ultra-HD content. This decision has highlighted the vulnerabilities in Netflix’s technology portfolio and the intense scrutiny it faces in the competitive streaming industry.
Following litigation in 2018, when Netflix had only filed 8 patents in video coding, the company has significantly ramped up its patent filings. In 2023 alone, Netflix filed over 240 patents, marking a substantial increase.
This rise indicates a strategic effort to fortify its intellectual property assets, protect its innovations, and reduce future legal risks. By expanding its patent portfolio, Netflix is positioning itself to better defend its technologies and maintain a competitive edge in the market.
*Note: The numbers for 2023 and 2024 may increase over time as some of the recent filings might not be publicly available.
Netflix’s Recent Patent Acquisition
Focus on Content Over Patents
Netflix Inc. maintains a patent portfolio consisting of approximately 326 patent families and around 1,444 patents (including applications). Despite Netflix’s acquisitions of several smaller companies in animation, visual effects, video game development, and book publishing, these deals did not involve significant patent reassignments to Netflix.
One exception is Animal Logic, an Australian animation and visual effects studio that Netflix acquired in 2022, which brought with it two patent applications related to image composition. Animal Logic is renowned for producing visual effects and animation for major films such as “The Lego Movie,” “Marvel Studios’ Captain Marvel,” and “The Great Gatsby.” Another notable acquisition in the visual effects domain was Scanline VFX, acquired in 2021, a studio recognized for its work on popular TV series and movies like “Stranger Things 3,” “Game of Thrones,” and “Godzilla vs. Kong.”
In recent years, Netflix has also been pushing into the video game market, acquiring companies like Next Games, Night School Studio, Boss Fight Entertainment, and Spry Fox. However, these acquisitions have not involved significant patent reassignments, suggesting that Netflix is not primarily focused on acquiring companies for their patent portfolios. Instead, these acquisitions reflect a strategy to diversify and enhance content offerings on its platform.
It will be interesting to observe whether Netflix will shift its strategy in the future by focusing more on acquiring companies with substantial patent portfolios or if it continues to prioritize content and creative capabilities over patent accumulation.
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Analysis by: Rohit Sood, Shrey Mehra & Rahul Mahajan
